Risk score 4
Subject
Subject Source: Local sources
Found in 124 Collections and/or Records:
Installation of Chapel Paintings, 1971
Item — Shelf 81, Box: 7, Object: 1172
Identifier: 81.7.1172
Interview of Robert Motherwell by Dominique de Menil and Susan Barnes, 1980-05-10
Item — Shelf 80, Box: 6, Object: 622
Identifier: 80.6.622
Abstract
Act of Faith interview
Dates:
1980-05-10
Jane Blaffer Owen Oral History, 2007-09-28
Item — Shelf 80, Box: 1, Object: 37
Identifier: 80.1.37
Abstract
Wildcatter Productions, Houston Arts and Media
Dates:
2007-09-28
Mark Rothko Episode 2, 2015-01-28
Item — Shelf 80, Box: 6, Object: 1001
Identifier: 80.6.1001
Abstract
Rights and Reproduction Project: Requested January 14, 2015 by Keon-Hee Kim Email: celine@covana.co.kr Filmed at the Rothko Chapel January 20, 2015 Purpose of Film: The purpose of filming is to promote broader public understanding of Rothko's artistic philosophy in accordance to the Mark Rothko Exhibition in Seoul scheduled for March at SAC (Seoul Arts Center) Film was available for viewing January 28, 2015
Dates:
2015-01-28
Mark Rothko: Seeing in the Dark, 2014-04-29
Item — Shelf 80, Box: 6, Object: 963
Identifier: 80.6.963
Abstract
Harry Cooper Ph.D. What is the significance of Rothko’s turn to dark, expansive paintings in the 1960s? Do they realize or deny what Rothko called the “inner light” of his art? What was the different role of darkness throughout his previous work? Did Rothko intend to imbue colors like those used in the Rothko Chapel with particular meaning? Looking at both the Chapel works and related single canvases at the National Gallery of Art, Modern Art Curator Harry Cooper, Ph.D. explores these and...
Dates:
Event: 2014-04-29
Mark Rothko: Seeing in the Dark (edited), 2014-04-29
Item — Shelf 80, Box: 6, Object: 966
Identifier: 80.6.966
Abstract
Harry Cooper, PhD. What is the significance of Rothko’s turn to dark, expansive paintings in the 1960s? Do they realize or deny what Rothko called the “inner light” of his art? What was the different role of darkness throughout his previous work? Did Rothko intend to imbue colors like those used in the Rothko Chapel with particular meaning? Looking at both the Chapel works and related single canvases at the National Gallery of Art, Modern Art Curator Harry Cooper, Ph.D. explores these and...
Dates:
Event: 2014-04-29
Mark Rothko: The Houston Connection, 2014-05-06
Item — Shelf 80, Box: 6, Object: 964
Identifier: 80.6.964
Abstract
How did John and Dominique de Menil come to commission Mark Rothko to create his masterpiece, the Rothko Chapel, in Houston? Art historian Chelby King discusses Houston art professor Jermayne McAgy’s influence on the de Menil’s commission and her connection to Rothko. Chelby King was awarded a M.A. in art history from the University of Houston in May 2013 following a fifteen-year career in arts management. Her organizational work has focused on advancing opportunities for contemporary...
Dates:
Event: 2014-05-06
Mark Rothko: Traveler to the Sublime, 2014-03-06
Item — Shelf 80, Box: 6, Object: 958
Identifier: 80.6.958
Abstract
How did Mark Rothko’s complex trajectory between the Russian empire, the United States and back to Europe impact his own pictorial message? In particular, how can we assess his paintings, namely those of the Rothko Chapel, in light of his European birth and of his Jewish heritage? Rothko's biographer Annie Cohen-Solal discusses Mark Rothko’s trajectory in prelude to her forthcoming Rothko biography, to be published in September 2014 in the “Jewish Lives” series, at Yale University Press. Dr...
Dates:
Event: 2014-03-06
Martin Luther King Program: K.M. Williams, 2012-01-15
Item — Shelf 80, Box: 3, Object: 127
Identifier: 80.3.127
Scope and Contents
From the Series:
Contains all audio-only recordings
Dates:
2012-01-15
Nabila Drooby: Conversations in Beirut, 2010
Item — Shelf 80, Box: 5, Object: 231
Identifier: 80.5.231
Abstract
Leaving Jumblatt residence, car ride, Drooby interviews. Raw footage.
Dates:
2010